{"id":597,"date":"2014-02-20T12:48:07","date_gmt":"2014-02-20T11:48:07","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=597"},"modified":"2014-02-20T12:48:07","modified_gmt":"2014-02-20T11:48:07","slug":"elisabeth-kihlstrom-och-yuki-higashinos-territories","status":"publish","type":"post","link":"http:\/\/utv.skaneskonst.se\/en\/elisabeth-kihlstrom-och-yuki-higashinos-territories\/","title":{"rendered":"Elisabeth Kihlstr\u00f6m och Yuki Higashinos \u201dTerritories\u201d"},"content":{"rendered":"

\"invite_<\/a>Nature alone held his fancy.<\/em><\/p>\n

And its light is blinding blue,<\/em>
\n which is shot like an arrow across a dark night.<\/em><\/p>\n

But museum specimens have been shown<\/em>
\n to accurately represent the coloration of wild birds.<\/em><\/p>\n

Beside, color helps each age to bring its own unique light,<\/em>
\n hitting the photocell and forming otherworldly sounds,<\/em>
\n filling the particular feeling for space.<\/em><\/p>\n

While space is controlled by an invisible director,<\/em>
\n who was given stability by the commanding frame.<\/em><\/p>\n

Nevertheless, it is a land without shadows and sin,<\/em>
\n separated from them by rollicking ocean.<\/em><\/p>\n

Only birds can reach its terrain.<\/em><\/p>\n

***<\/em><\/p>\n

Elisabeth Kihlstr\u00f6m \u00e4r f\u00f6dd 1988 i Sverige och verksam i Wien. Hon tar en magisterexamen vid Konstakademin Wien under 2015. Hennes senaste soloutst\u00e4llningar \u00e4r Dust Gallery<\/i>, Ume\u00e5 (2012) och (o)v\u00e4sen vid Stora Hyttn\u00e4s Museum<\/i>, Sundborn (2011). Hon deltog nyligen i utst\u00e4llningen \u201cComposition as explanation\u201d vid Schneideri<\/i> samt \u201cPreserve and Serve\u201d <\/i>vid Friday Exit<\/i> (b\u00e5da i Wien, 2013), d\u00e4r hon ocks\u00e5 presenterade performance verk.<\/p>\n

Yuki Higashino \u00e4r f\u00f6dd 1984 i Japan och verksam i Wien. Han examinerades fr\u00e5n St\u00e4delschule, Frankfurt 2010. Hans senaste soloutst\u00e4llningar \u00e4r \u201cReisewolf\u201d vid Past Vyner Street<\/i>, London (2013), \u201cYuki Higashino Reads Aldo Rossi Again\u201d vid Lokaal 01<\/i>, Antwerpen, (2012) samt \u201cYou can\u2019t be an artist if you are afraid of getting dirty (intro)\u201d vid Centre Clark<\/i>, Montreal (2011). Hans texter har publicerats i tidningar s\u00e5 som Texte zur Kunst<\/i>, Camera Austria<\/i> och springerin<\/i>.<\/p>\n

Kihlstr\u00f6m och Higashino\u2019s samarbete innefattar soloutst\u00e4llningar vid Platform sarai<\/i>, Frankfurt (2013) och Mount Analogue<\/i>, Stockholm (2014, kommande) samt kuratoriska projekt s\u00e5 som \u201cTo take a landscape from\u201d vid Neue Galerie<\/i>, Innsbruck (2014, kommande). De har spelat in och genomf\u00f6rt konserter som Every Sunday<\/i> sen 2012.<\/p>\n

\u00a0<\/a><\/p>\n

\u00a0<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Nature alone held his fancy. And its light is blinding blue, which is shot like an arrow across a dark night. But museum specimens have been shown to accurately represent the coloration of wild birds. Beside, color helps each age to bring its own unique light, hitting the photocell and forming otherworldly sounds, filling the […]<\/p>\n","protected":false},"author":1,"featured_media":688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"2.8.5","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=597"}],"version-history":[{"count":0,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/597\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/688"}],"wp:attachment":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=597"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}