{"id":380,"date":"2013-12-05T15:57:54","date_gmt":"2013-12-05T14:57:54","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=380"},"modified":"2013-12-05T15:57:54","modified_gmt":"2013-12-05T14:57:54","slug":"380-2","status":"publish","type":"post","link":"http:\/\/utv.skaneskonst.se\/en\/380-2\/","title":{"rendered":"THE CONSTRUCTION AND FLUCTUATION OF THE ARTIFICE AND THE REAL"},"content":{"rendered":"

\"scenografi<\/a>
\n30 november, 18.00 – 21.00
\n\u00c5ter\u00f6ppning med nya verk av S\u00d8REN AAGAARD\u00a0<\/strong><\/p>\n

5 december, 19.00 – 21.00
\nROBERT BOLIN\u00a0<\/strong><\/a>and his site-specific performance Parasit<\/a>\u00a0<\/strong><\/p>\n

Galleriet:
\nADAPTATIONS<\/strong><\/em>\u00a0S\u00d8REN AAGAARD (dk)<\/p>\n

Scenrummet:
\nNEXT ROOM HARP<\/strong><\/em>\u00a0BJARNI TOR PETURSSON (is)
\noch
\nTHIS LAND IS MY LAND<\/strong><\/em>\u00a0MAIKEN STENE (no)<\/p>\n

Jeg ble spurt av Sk\u00e5nes Konstf\u00f6rening om \u00e5 organisere og medvirke i en utstilling og inviterte Bjarni Tor Petursson og S\u00f8ren Aagard til \u00e5 stille ut sammen med meg, fordi jeg vil utforske hvordan vi individuelt og i forhold til hverandre diskuterer differansen mellom virkelighet og konstruksjon. V\u00e5re individuelle uttrykk og metoder skiller seg fra hverandre, men vi m\u00f8tes i interessen for hvordan ulike kunstformer b\u00e5de kan holde p\u00e5 og bryte med sine forestillende egenskaper.<\/p>\n

Gallerirommet er et sted hvor avstanden mellom kunstverket og betrakteren varierer alt etter hvem det er som f\u00e5r lov \u00e5 skrike h\u00f8yest; betrakteren i sitt analyserende utenforskap, kunstverket i sin innebygde symbolikk, konstruksjonen i sin materialitet…
\n-Maiken Stene<\/em><\/p>\n

ADAPTATIONS<\/div>\n
S\u00f8ren Aagaard arbejder prim\u00e6rt med videoinstallation, hvorigennem han udforsker narrativets muligheder. Senest gennem en r\u00e6kke v\u00e6rker, der i gr\u00e6nselandet mellem film og tekst unders\u00f8ger filmatiseringsbegrebet ved at overs\u00e6tte tekst fra forskellige litter\u00e6re genrer til filmiske v\u00e6rker. Derved udforskes forholdet mellem ord og dets \u00e6kvivalens i det filmiske billedsprog.<\/div>\n
<\/div>\n
ADAPTATIONS<\/div>\n
S\u00f8ren Aagaard primarily works with video installation, through which he explores the potential of the narrative. Recently this comes to play through a series of works in the borderland between film and text that examines the concept of film adaptations by translating text from various literary genres into cinematic works. This turns in to an exploration of the relationship between words and their equivalents in the cinematic imagery.<\/div>\n
<\/div>\n
THIS LAND IS MY LAND<\/div>\n
Mennesket er b\u00e5de uegnet og uinteressert i \u00e5 pr\u00f8ve \u00e5 forst\u00e5 hva stein egentlig er; noe som kanskje forklarer hvordan det er i stand til \u00e5 foreta voldsomme inngrep i naturen selv om det skulle resultere i uoversiktlige konsekvenser for framtiden. I fors\u00f8ket p\u00e5 \u00e5 \u00e5pne opp den antroposentriske forst\u00e5elsen av natur, bruker Maiken Stene \u00a0landskapsmaleriets diskurs til \u00e5 unders\u00f8ke den visuelle differansen mellom naturen og menneskets persepsjon av den.<\/div>\n
<\/div>\n
THIS LAND IS MY LAND<\/div>\n
Man is both unfit and uninterested in trying to understand what stone really is, which might explain how it can make tremendous interventions in nature even if it were to result in unpredictable consequences for the future. In trying to open up an antropocentric understanding of the natural world, Maiken Stene uses the discourse of the landscape painting to examine the visual difference between nature and man’s perception of it.<\/div>\n
<\/div>\n
NEXT ROOM HARP<\/div>\n
\u00dea\u00f0 er ekki upp\u00f6rvandi a\u00f0 dreyma aftur og aftur a\u00f0 ma\u00f0ur s\u00e9 staddur einn \u00ed yfirgefinni verslunar-mi\u00f0st\u00f6\u00f0. Verslunarmi\u00f0st\u00f6\u00f0 er blanda af n\u00e1tt\u00faru og leiksvi\u00f0i e\u00f0a a\u00f0 minnsta kosti einhverjum tveimur a\u00f0skildum raunveruleikum. Me\u00f0 \u00fev\u00ed a\u00f0 hlusta \u00e1 \u00fe\u00f6gn hennar m\u00e1 reyna a\u00f0 skilja hva\u00f0 h\u00fan er innant\u00f3m. Bjarni \u00de\u00f3r P\u00e9tursson veltir \u00fev\u00ed fyrir s\u00e9r hvort vi\u00f0 h\u00f6fum stigi\u00f0 svo dj\u00fapt inn \u00ed heim s\u00fdndarveruleikans a\u00f0 gervi-t\u00f3mi\u00f0 s\u00e9 \u00ed raun meira \u00f3gnvekjandi og \u00fear af lei\u00f0andi skiljanlegra en \u00fea\u00f0 raunverulega.<\/div>\n
<\/div>\n
NEXT ROOM HARP<\/div>\n
To repeatedly dream of being totally alone in a deserted Shopping Mall is not an encouraging thing. The Mall is a blend of nature and the theatrical, or, at any rate, of two distinct realities. Only by listening to its silence can we try to understand how profoundly hollow it is. Bjarni Tor Petursson questions whether we have stepped so far into a world of simulacra that it is now in every sense more appropriate to speak of a simulated void; a void that is even more terrifying than the real one.<\/div>\n","protected":false},"excerpt":{"rendered":"

30 november, 18.00 – 21.00 \u00c5ter\u00f6ppning med nya verk av S\u00d8REN AAGAARD\u00a0 5 december, 19.00 – 21.00 ROBERT BOLIN\u00a0and his site-specific performance Parasit\u00a0 Galleriet: ADAPTATIONS\u00a0S\u00d8REN AAGAARD (dk) Scenrummet: NEXT ROOM HARP\u00a0BJARNI TOR PETURSSON (is) och THIS LAND IS MY LAND\u00a0MAIKEN STENE (no) Jeg ble spurt av Sk\u00e5nes Konstf\u00f6rening om \u00e5 organisere og medvirke i en […]<\/p>\n","protected":false},"author":1,"featured_media":383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"2.8.5","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":0,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/380\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/383"}],"wp:attachment":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}