{"id":1679,"date":"2016-05-12T14:00:45","date_gmt":"2016-05-12T12:00:45","guid":{"rendered":"http:\/\/skaneskonst.se\/?p=1679"},"modified":"2016-05-12T14:00:45","modified_gmt":"2016-05-12T12:00:45","slug":"skanes-pa-linero-de-lovade-oss-en-skola-de-lovade-en-simhall","status":"publish","type":"post","link":"http:\/\/utv.skaneskonst.se\/en\/skanes-pa-linero-de-lovade-oss-en-skola-de-lovade-en-simhall\/","title":{"rendered":"Sk\u00e5nes p\u00e5 Linero: De lovade oss en skola, de lovade en simhall"},"content":{"rendered":"

\"linero_web\"<\/a><\/strong><\/p>\n

Utst\u00e4llningen visas p\u00e5 Emblas gata 17 (Linero centrum, Lund)\u00a0L\u00e4nk till n\u00e4rmsta bussh\u00e5llplats h\u00e4r<\/a>
\n\u00d6ppettider: onsdag, fredag och l\u00f6rdag 13-17 och torsdag 13-19 (den 16\/6 \u00e4r utst\u00e4llningen \u00f6ppen 13-18)<\/strong>
\nVernissage 26 maj 18-21<\/p>\n

Medverkande konstn\u00e4rer:
\nKarolina Erlingsson
\nDavid Larsson
\nBehzad Khosravi Noori & Benji Boyadgian<\/p>\n

Linero centrum byggs om. 94 nya l\u00e4genheter i tv\u00e5 punkthus st\u00e5r n\u00e4stan f\u00e4rdiga. Aff\u00e4rslokaler v\u00e4ntar p\u00e5 sina g\u00e4ster. D\u00e4r f\u00f6rut inget definierat fanns har ett torg, eller en parkeringsplats, som v\u00e4tter \u00e5t syd uppst\u00e5tt. Huskropparna \u00e4r gjorda i vitt tegel, fast inte mexitegel. Lackerat gl\u00e4nsande tegel.<\/em><\/p>\n

1969 h\u00e4nde liknande saker: d\u00e5 byggdes stommen i det som \u00e4r dagens Linero \u2013<\/em>
\nl\u00e5ghus i l\u00e4ngor utan trapphus som tog tillvara den naturliga lutningen p\u00e5 platsen \u2013<\/em>
\np\u00e5 ett omr\u00e5de som anses vara Lunds ursprung. Tre gravh\u00f6gar och en vikingatida marknadsplats fanns h\u00e4r innan sj\u00e4lva staden v\u00e4xte fram. L\u00e5ghusen som byggdes p\u00e5 60- och 70-talen ligger l\u00e4ngs med v\u00e4gar som p\u00e5minner om behovet av att minnas n\u00e5got: Vikingav\u00e4gen, Bl\u00e5tungav\u00e4gen, Brynjegr\u00e4nden. Namnen p\u00e5 v\u00e4lf\u00e4rdens institutioner namngavs \u00e4ven de med tillbakablickande namn: Vikingaskolan finns fortfarande; Daghemmet Runan lades ner 1992.<\/em><\/p>\n

I en andra byggv\u00e5g under sent 70-tal skulle ett 1800-tals hus, Linerog\u00e5rden, rivas. Men Vinkingaskolans elever tog till orda, och citerades i Sydsvenskan: \u201dDe lovade oss en skola, de lovade en simhall och idrottshall men vi fick inget av det. Nu river de det enda som minner om det gamla Linero och f\u00f6rst\u00f6r den park vi leker i, skrek barnen\u201d.<\/em><\/p>\n

Sk\u00e5nes konstf\u00f6rening har bjudits in av det kommunala bostadsbolaget LKF f\u00f6r att anv\u00e4nda en v\u00e4ntande aff\u00e4rslokal p\u00e5 Lineros nybyggda centrum som tempor\u00e4rt utst\u00e4llningsrum. I De lovade oss en skola, de lovade en simhall presenteras fyra konstn\u00e4rer som arbetar med tid, minne och behovet av att skriva historia. Utst\u00e4llningen f\u00f6rh\u00e5ller sig till en stadsdel i f\u00f6r\u00e4ndring genom associativa relationer till andra platser, och genom att p\u00e5 ett generellt plan diskutera hur klyftan mellan f\u00f6rfluten tid och framtid kan laddas med olika betydelser och f\u00f6rv\u00e4ntanshorisonter.<\/p>\n

\"Behzad<\/a>
Behzad Khosravi Noori & Benji Boyadgian “Around-About” (2016)<\/figcaption><\/figure>\n

Benji Boyadgian \u00e4r utbildad arkitekt med ett speciellt fokus p\u00e5 urban sociologi i f\u00f6re detta konfliktomr\u00e5den. Han arbetar med forskningsbaserade projekt som utforskar teman om kulturarv, territorium, arkitektur och landskap. Boyadgian anv\u00e4nder sig oftast av m\u00e5leri och teckning som sina huvudsakliga forskningsredskap. Han bor och arbetar i Jerusalem.<\/p>\n

Behzad Khosravi-Noori arbetar med kulturella och politiska fenomen kopplade till fr\u00e5gor om representation. Han intresserar sig \u00e4ven f\u00f6r hur tid och historia \u00e5terges och f\u00f6rmedlas i olika medier, s\u00e5v\u00e4l som i mer skulpturala konstn\u00e4rliga uttryck. Ofta kretsar Khovrasi-Nooris praktik kring behovet av att manifestera politiskt laddade \u00e4mnen genom konst, monument och film. Den enhetliga linj\u00e4ra historieskrivningen st\u00e4lls i kontrast till multipla lager av ber\u00e4ttelser om f\u00f6rflutna politiska h\u00e4ndelser. Khosravi Noori \u00e4r konstn\u00e4r och skribent verksam i Stockholm och Teheran. Han \u00e4r doktorand p\u00e5 Konstfack i Stockholm.<\/p>\n

\"Karolina<\/a>
Karolina Erlingsson “Vind\u00f6ga” (2013)<\/figcaption><\/figure>\n

Karolina Erlingsson arbetar med ber\u00e4ttande. Det kan handla om att f\u00f6rs\u00f6ka \u00e5terge en tyst erfarenhet, om historierna vid sidan av eller om livsber\u00e4ttelser som \u00e4r i f\u00f6rsvinnande \u2013 om att skildra n\u00e4rvaro genom fr\u00e5nvaro. I flera av hennes arbeten kretsar tematiken kring \u00f6vers\u00e4ttningar, tolkningar och \u00f6verg\u00e5ngar. Som n\u00e4r en enkel text blir till en ordl\u00f6s s\u00e5ng, n\u00e4r ett stycke f\u00f6r k\u00f6r blir till h\u00e4ndernas dans eller n\u00e4r upprepande textfraser blir till viskande ekon. Erlingssons bor och arbetar i Malm\u00f6. Hennes praktik omfattar fr\u00e4mst video, ljud, text, installation och performance.
\nwww.karolinaerlingsson.com\/<\/p>\n

David Larssons installationer \u00e4r lika mycket utst\u00e4llningar som det \u00e4r f\u00f6rberedelser f\u00f6r n\u00e5got annat. De undandrar sig stabila betydelser och pekar ist\u00e4llet mot en st\u00e4ndigt p\u00e5g\u00e5ende omf\u00f6rhandling. F\u00f6rem\u00e5l fr\u00e5n tidigare verk \u00e5teranv\u00e4nds och g\u00f6rs om, s\u00e4tts i nya sammanhang och laddas med nya inneb\u00f6rder. Relationer kompliceras, s\u00e5v\u00e4l mellan m\u00e4nniska och ting som mellan tingen i sig. Vad \u00e4r ett objekt i en samling: en del av en helhet, ett fragment eller har objektet i sj\u00e4lva verket en egen identitet som r\u00f6r sig bortom samlingens gr\u00e4nser? Kan samlingen ses som ett system av inb\u00f6rdes relationer d\u00e4r instabillitet \u00e4r den viktigaste egenskapen och de identiteter som samlingen producerar bara tempor\u00e4ra undflyende f\u00f6rslag? David Larsson bor och arbetar i Jordbro och Stockholm.
\nwww.davidlarsson.net\/<\/p>\n

Utst\u00e4llningen produceras av Sk\u00e5nes konstf\u00f6rening med st\u00f6d av LKF (Lunds Kommuns Fastighets AB)
\nCurator: Hans Carlsson, Sk\u00e5nes konstf\u00f6rening<\/p>\n

They promised us a school<\/strong>
\nthey promised a swimming pool<\/strong><\/p>\n

Emblas gata 17 (Linero centrum, Lund) Link to closest bus stop here<\/a><\/p>\n

May 26- June 23
\nOpening hours: Wednesday, Friday, Saturday 1-5pm and Thursday 1-7pm\u00a0 (16\/6 the exhibition is open between\u00a013-18)<\/strong>
\nOpening May 26 6-9pm<\/p>\n

Participating artists:
\nKarolina Erlingsson
\nDavid Larsson
\nBehzad Khosravi Noori & Benji Boyadgian<\/p>\n

A new center is being built in Linero, a district in Lund. 94 new apartments in two tower blocks are almost completed. Retail spaces await customers. An area previously undefined now houses a square, or a parking lot – facing south. The new buildings in Linero center are made from white bricks, similar to those sand lime bricks popular in Sweden in the 70s, though these new bricks shine with lacquer and polish.<\/em><\/p>\n

In 1969 the core of what is today\u2019s Linero was built \u2013 rows of low-rise housing without stairs, taking advantage of the natural slope of the site, an area considered to be the original settlement of Lund. Three burial mounds and a Viking marketplace existed here before the city emerged. The low-rise apartments built in the 60s and 70s are lined along roads reminding us of their historical significance: The Viking road, the Harald Bluetooth Lane, the Lance Lane. Local public schools have also been given names which refer to this past: The Viking School, and the kindergarten, The Rune (closed down in 1992).<\/em><\/p>\n

In the second major urban development of Linero in the late 70s, a 19th century farm was threatened with demolition. The students of The Viking School protested against it, and were quoted in the regional newspaper Sydsvenskan as saying: \u201cThey promised us a school, they promised a swimming pool and a sports hall, but we got none of it. Now they tear down the only thing that reminds us of the old Linero, and destroy the park we play in, the kids are screaming.\u201d<\/em><\/p>\n

Sk\u00e5nes konstf\u00f6rening has been invited by the municipal housing company LKF to use a future business premise retail space in Linero\u2019s newly built center as a temporary exhibition space. The exhibition They promised us a school, they promised a swimming pool presents four artists working with time, memory and the need to revise history. The exhibition engages with the neighborhood through associative connections with other places, and addresses how the space between the past and the future may be understood through different horizons of anticipation.<\/p>\n

Benji Boyadgian, originally trained as an architect, focuses on urban sociology in former conflict areas. He works with research based projects that explore themes of heritage, territory, architecture and landscape. Boyadgian uses painting and drawing as his primary research tools. He lives and works in Jerusalem.<\/p>\n

Behzad Khosravi-Noori works with cultural and political phenomenon linked to questions concerning representation. He is interested in how time and history are reproduced and communicated by different media, as well as in more sculptural artistic expressions. Khovrasi-Nooris practice often deals with the need to address politically charged issues through art, monuments and film. The uniform linear historiography is often contrasted with multiple, layered stories about past political events. Khosravi Noori is an artist and writer based in Stockholm and Tehran. He is a PhD student at Konstfack, the university college of arts, crafts and design in Stockholm.<\/p>\n

Karolina Erlingsson works with narratives. Her work, have at various times, offered a quiet experience, with accompanying historical narratives, or biographies in the process of disappearing \u2013 conveying presence through absence. Several of Erlingssons\u2019 pieces revolve around themes of translation, interpretation and transition -,where a simple text becomes a wordless song, a score for a choir is interpreted for dancing hands, or repetitive text phrases become whispering echoes. Erlingsson lives and works in Malm\u00f6. She works with video, audio, text, installation and performance.<\/p>\n

\"David<\/a>
David Larsson “Interrelated subject matter (part 2)”<\/figcaption><\/figure>\n

David Larsson\u2019s installations are as much exhibitions as preparations for something else to come. They evade stable meanings and points instead towards an ongoing renegotiation. Objects from previous works are recycled and placed in a new context and in this way, they are charged with new meanings. Relationships are complicated: this applies to the relationship between humans and things, as well as between different objects. What is an object in a collection: a part of the whole? A fragment? Or is the object, in fact, an identity that moves beyond the boundaries of the collection? Could the collection be viewed as a set of mutual relations defined by instability,- where the identities produced by the collection are only fleeting suggestions? David Larsson lives and works in Jordbro and Stockholm.<\/p>\n

www.davidlarsson.net\/<\/p>\n

The exhibition is produced by Sk\u00e5nes konstf\u00f6rening with financial support from LKF
\nCurator: Hans Carlsson, Sk\u00e5nes konstf\u00f6rening<\/p>\n","protected":false},"excerpt":{"rendered":"

Sk\u00e5nes konstf\u00f6rening har bjudits in av LKF f\u00f6r att anv\u00e4nda en v\u00e4ntande aff\u00e4rslokal p\u00e5 Lineros nybyggda centrum som tempor\u00e4rt utst\u00e4llningsrum. I “De lovade oss en skola, de lovade en simhall” presenteras fyra konstn\u00e4rer som arbetar med tid, minne och behovet av att skriva historia. Utst\u00e4llningen \u00e4r inte platsspecifik, och f\u00f6rs\u00f6ker f\u00f6rh\u00e5lla sig till en stadsdel i f\u00f6r\u00e4ndring genom associationer snarare \u00e4n relationer.<\/p>\n","protected":false},"author":1,"featured_media":1688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-utstallning"],"translation":{"provider":"WPGlobus","version":"2.8.5","language":"en","enabled_languages":["sv","en"],"languages":{"sv":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/1679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/comments?post=1679"}],"version-history":[{"count":0,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/posts\/1679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media\/1688"}],"wp:attachment":[{"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/media?parent=1679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/categories?post=1679"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/utv.skaneskonst.se\/en\/wp-json\/wp\/v2\/tags?post=1679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}